Tuesday, October 29, 2013

The Trials and Tribulations of Wearing Costumes



The lure is there, maybe a hold over from  childhood, maybe an inclination to the dramatic; whatever the case some people really like costumes.  The problem is they can take some getting used to if you use them to tell stories.
Some of the problems:
  • They get can and often do get in the way
  • They can limit the type of stories shared
  • They can be awkward and artificial
  • They can be culturally insensitive or stereotypical
  • They may signal a story genre or characterization not in step with the teller
  • They require a certain amount of 'stage presence' to carry off the look
  • Some will tend to expect an "outfit" from every storyteller
Some of the advantages:
  • They bring a large dose of realism to certain settings
  • They are dramatic and memorable
  • They support thematic stories all set in the same place or time
  • They lend themselves to teaching and story combinations
  • They bring to life historic settings or events
  • It can be easier to assume the "persona" and share stories
Where to find places to wear these outfits?
  • Local history days
  • Historic celebrations
  • State history sites (volunteer as a tour guide, etc.)
The first rules of costume storytelling -
1. Start simple to get a feel if this is something you might want to explore.
2. Go the extra mile to get well made costumes or accessories (including undergarments!)
3. Remember you wear the clothes and they should not wear you; aim for a large degree of comfort in the clothes.
4. Collect stories, songs, poems, games, etc. from the time period or place your costume reflects.  This will allow you to add an educational or teaching moment and help smooth transitions from one story to another for that particular 'look',
 
Safety Issues:
Can you see? That dramatic cowl or veil may look great but not if you trip...
Can you walk? Sturdy shoes for tours or walking over uneven ground.
Too dark?  Get an old fashioned lantern or one from a craft or garden store.  Can't use a candle ? In some historic settings you cannot use an open flame.  Use the LED candles instead (insert in a regular candle for a more impressive candle look).
Do you have a favorite tip or help? Leave a comment and share.

Saturday, October 26, 2013

Steaming Up Storytelling: Steampunk Meets Storytelling, Part 1

In 1987 a small, select, and arcane sub-culture was given a name, “Steampunk” but few really noticed. A nod to the reactionary punk music and the manners, styles and invention of the Victorian steam era, the movement began a slow climb out an obscure sub-genre of science fiction to crawl into mainstream or at least within calling distance of that broad thoroughfare.

Today huge steam punk conventions are held around the globe and comic book conventions (comic-cons)once home solely to superheroes and Jedi Knights, now sees as many stream punk characters strolling the promenades as any of the other personas.

A mixture of role play (costume or cos-play) based on a character of your own creation,  an opportunity to dress up in fine Victorian-Edwardian costumes, a place to meet others who enjoy tinkering with contraptions, drinking tea, exploring imaginative alternate worlds and histories, the current steam punk movement is arriving in Oklahoma. 

From my research, storytelling has not made serious or widespread inroads into the movement.  Samples of performances labeled as storytelling found online indicate there is room for experienced storytellers to share their talents in story crafting and sharing into this new reality.  

Although attracting membership from the late 20’s and older, the movement includes many a seasoned individual.  So steam punk may be a way to interest youth tellers it can also be a way for other tellers to expand their telling repertoire and audience.  How, though, to cross over into this world?


1) Understand the role of such movements as a response to the overly technical, specialized, non-personal, polarizing, and fragmenting aspects of modern society.  As with all millennial and quasi-millennial movements there is a underlying sense of “somewhere we went wrong”.    

Steam punk explores the communal act of finding the soul in the middle of the real, sterile, and isolated world.

2) Understand the guiding themes of steam punk as a retro-futuristic exploration of another world peopled by humans, metal robots, steam powered technologies replicating modern ones (what if the atom had NOT been discovered to change the course of science?). 

 
3) Understand the great diversity of the movement that allows cultures to pick and choose the best of each and integrate them in creative and peaceful ways.   Costumes may include elements of the kilt, the Victorian explorer pith helmet and a Middle eastern turban or a woman’s walking dress may be shorter, with near mandatory Victorian boots, a corset or cincher worn over the clothes on the outside, and a pair of brass goggles.

 
4) Understand the movement as providing an opportunity to write an alternate history that sees nations flowering, which might have been cut down in their prime or see issues resolved which were ignored in the real time line.  For example, the role of women is often greatly expanded in stream punk to include activities, behaviors, and values denied them in the real gendered Victorian Era.
 

5) Recognize the literature sources which have influenced the movement:  these include the classic tales of Jules Verne, Mark Twain, Edgar Allan Poe, Lovecraft, Arthur Conan Doyle, Bram Stoker, Oscar Wilde, and others. Turn of the century newspapers and dime novels.

 

6) View the Movies which have had a touch or broad stroke of steam punk: Wild, Wild West; League of extraordinary Gentleman; The Time Machine; Howl's Moving Castle; Sky Captain and the World of Tomorrow; Sherlock Holmes (2009):9; Sleepy Hollow; Hellboy; Van Helsing; 20,000 Leagues Under the Sea; The Prestige; The Golden Compass; The Brothers Grimm.  On television, Warehouse 13 and Dr. Who have occasionally reflected the culture.


7) Become familiar with necessary performance Values:

 

Costume: period or cultural pieces, perhaps juxtaposed with unique or arcane 'gadgets'.  Standard props for both sexes can include: brass or metal/leather goggles, vests, hats, boots, leather/canvas bags, canes, umbrellas/parasols, etc.

Props can be useful but should be used only with much practice: the umbrella, the cane, the ladies hand bag (a drawstring affair), a "ray gun", or apparatus, etc. can be very dangerous!

Costuming for women may include some standard props:

Victorian gown

Corset (worn outside the clothing)

(See illustrations later)

 

Language: Spiced with the formal language of the Victorian era, delivered in a more precise manner, and utilizing larger more diverse vocabulary.  Too heavy an accent will be defeating to the ease of the audience to actually understand your story.  Too modern a style or vocabulary will negate the suspension of reality required to place the story and the teller in an alternate reality.

 

Biases: Some of the biases may include presuming audience has a wider knowledge of the literature, history, time, or customs of the time period.  Another bias can be too narrow an understanding of steam punk as English, European, etc.  Steam punk is a global movement which easily adapts and meshes diverse styles and cultures in the new reality of the steam punk world.

Transition: Current storytellers can ease into steam punk if they have told stories of the old west, of history, of adventurers, of travel, of invention and discovery or human interest tales.   Classic myths and legends can have their essence 're-cast' in a new suit of steam punk - if the teller firmly understands the nuances, diversity,  and motivations found in steam punk.

 
8) Be aware of the ongoing evolution of the movement and these sub-categories of steam punk as a starting place:

BoilerPunk -blue-collar industrial age workers; opposite to aristocratic steampunk;

ClockPunk- emphasizing the technologies that augment and replace steam;

DieselPunk - A "heresy" where diesel fuel and nuclear power take the place of steam;

GaslightRomance - A British term; American steam punk is considered by some to actually be Gaslight romance or fantasy;

MannersPunk - Broader category of stories and works which may or may not be steampunk but which focus on hierarchy in society, some emergent technologies, and involve parties, mansions, and the more formal and civilized aspects of society; 

RaygunGothic - A more sci-fiction approach with broad application; could also be called Raygun Melodrama;

StitchPunk - A reflection of the crafts, hands-on, inventing, tinkering, and do-it-yourself elements in steam punk.  ---The SteamPunk Bible (2011), pg. 54-55.

 
For the storyteller,  the challenge will be to determine could they share a Lovecraftian story of the macabre, or a take on Sherlock Holmes (maybe from Mrs. Hudson’s view? or the cabbie who drove them here and there?). Perhaps share also an original tale incorporating some of the archetypes or motifs of the genre: the goggles, the clockworks, the clanking robotic men powered by steam or clocks, etc. 

For the storytelling selection choices include select retellings of Gulliver’s Travels, The Golem, the travels of Burton or Livingston, the early Victorian women explorers, the early flyers (plane and balloon). These and others provide a rich resource to be discovered and given a fun little twist to fashion a creatively refreshing tale for steam punk audiences.

 Part 1 of a teaching series by Marilyn A. Hudson

Wednesday, October 2, 2013

OKC Tellers Oct. Guild Meeting

Join the OKC Tellers on Monday night, Oct. 7 at 7 p.m. for stories of "Fall and Halloween." Learn about upcoming events and training opportunities. Some select storytellers will share and then others will draw for an opportunity to share their best 3-7 minute tale. Location is Wesley UMC, NW 25 and Classen, OKC. Plenty of free parking and entrance at the west side.  Contact: marilynahudson@yahoo.com for information.

Sunday, September 29, 2013

Basics of Storytelling: Becoming a Storyteller

BECOMING A STORYTELLER

Every person has the potential to be a storyteller.  There are no “born tellers” – only people with differing levels of gifts in sharing human experiences. Everyone is already involved in the process of story sharing every time they share their experiences, recount historic events, tell a funny anecdote, and share core values.  All these individuals need to become intentional story bearers is for them to make the decision that they will learn to do it better, with greater self-confidence and skill.

WHAT STORIES ARE BEST FOR ORAL TELLING?
  • Family history stories, magazines, newspapers.
  • Events from your childhood or personal experiences
  • Folktales, fairy tales, myths and history books
  • Simple picture storybooks

WHERE DO YOU FIND SOURCES FOR STORIES?
  • The 398.2 area of the library
  • The picture book area of the library or a bookstore
  • Older family members or people in the community
  • Newspaper articles, old magazines
  • Historical events, oral histories, or biographies of historical people

HOW DO I LEARN AND TELL A STORY?
  • Find a story you really like (you will be living with it for awhile)
  • Become familiar with the story (read it several times)and any different versions
  • Picture in your mind the major parts of the story in the beginning, middle, and end.
  • Practice telling it to yourself.  Repeat adding details. Repeat until story is firmly in your mind.
  • Tell it often and enjoy.

HOW DO YOU GAIN SKILL AS A STORYTELLER?
  • Tell every chance you can. 
  • Record yourself: are you too fast, too slow, too soft spoken, too monotone?
  • Add a gesture to bring your story alive
  • Practice using voices to help tell the story.
  • Add a prop (a hat, an object from the story, a visual, a costume, or puppets)
  • Add music from hands or an instrument
  • Review what works, delete what does not, and keep learning more stories.
  • Become a member of a group that will provide training, feedback, and constructive criticism.
  • Attend training events, workshops, and concerts.  See if the library carries tapes or CD’s of well-known storytellers - listen and learn.

BEGINNER’S RESOURCES

Bauer, C.  Caroline Baur’s New Handbook for Storytellers. 1993.
Cabral, L. Len Cabral’s Storytelling Book. 1997.
Hamilton, M. Stories in My Pocket. 1996.
Macdonald, Margaret Read. Three Minute Tales. 2004.
Pellowski, A. The World of Storytelling. 1977.
Storytelling: It’s Not Just Kid’s Stuff, Milbre Burch homepage at http://www.laig.com/kindcrone/article_2.html
http://www.ualberta.ca/~lmireau/plan.html (tips on building cue cards)


 QUICK GUIDE ONE.  Marilyn A. Hudson
Basics of Telling A Story /A story that is told can be 1-15 min. long, however, most stories are in the 3 to 10 minute range.  The teller stands before an audience and speaks to convey a story that has a beginning, a middle, and an end; variations include sitting and moving among the audience.  Microphones may be needed in some settings.  Teller introduces them self, names the story or shares the theme; if using another’s work proper credit is given.  The teller speaks clearly and varies tone, emphasis and volume for interest to the listener.
Listen, Read, View and Analyze /Review folklore in books in the library (they are usually found in the 398.2-398.29 area), listen to tellers in person and on audio tape/CD, watch tellers in person or on a video.  What makes them successful?  What did you like?  What did you not like? What works?  
Themes /A good story will have usually a universal theme: hope, love, courage, survival, redemption, self-discovery, community values, respect, justice, peace, family, etc. 
Enhancing the story /The story experience can be enhanced through the addition of repetitions within the story, participation, chants, songs, sounds, music, props, visuals, costume, or dance.  Additionally, puppets (from simple hand creations to complex shadow or marionettes) have been a traditional favorite for some.
Characters /Most stories revolve around a character (hero, protagonist, counterpoint).  A good story has a memorable and sympathetic figure with which the listener can care and empathize.   The character is the “everyman” of the medieval street theater and yet unique enough to peak interest. 
References /Organizations: National Storytelling Network (www.storynet.org);
Support Groups /Join or, if none exists, form a support group.  Focus should be on helping other tellers, self-improvement,  and the active, frequent sharing of stories.  Avoid groups where there is no opportunity for telling, learning, or where the atmosphere is elitist.


  
STORY  FRIENDS

Connecting with others who like to listen to, create, or share stories.  Many organizations exist to help the beginning storyteller.  Some of the major ones are listed below, and some specific to Oklahoma.  

Joining with other tellers is an excellent way to improve your craft, especially if the groups can answer the following:  Are there educational opportunities to improve my skills? Are there performance opportunities so that I can hone my delivery and stage presence? Is the group supportive and willing to help new tellers?

                 NATIONAL STORYTELLING NETWORK    www.storynet.org  
 NETWORK OF BIBLICAL STORYTELLING    www.nobs.org
 NATIONAL ORGANIZATION OF BIBLICAL STORYTELLERS www.nobs.org


Wednesday, September 18, 2013

Downloadable Color Tellabration Flyer

Help spread the word about this Nov. 23rd event in OKC.   Share the link to the flyer (shown at right), print some off and post in your workplace, etc.  Proceeds go to the historic preservation of Wesley UMC (host of the OKC Tellers).

Flyer: http://www.wesleyokc.org/wp-content/uploads/2013/09/WesleyTellabrationFlyer.pdf

Sunday, September 15, 2013

The Basics of Storytelling: Plots

7 Basic Plots (more or less).  
Commonly recognized are: person faces nature; person faces person; person faces the environment; person faces machines/technology; person faces self; and person faces a deity/religion/philosophy. Some authorities say there may be as many as 40 basic plots, while others insist only three.  Almost all stories fit within these 7 basic forms.

PLOT THEMES.  A theme is the guiding idea of a story. Try this: review some favorite movies, books, or stories and identify the theme. Some popular and well-known themes include “love conquers all” (AN AFFAIR TO REMEMBER); “family is important” (RV); “the quest” (STAR WARS); “to have friends be a friend”; etc.   List your favorite books, movies, & stories.  What do they have in common?  Why do you like them?

Speaking the Lingo of Literature

GENRE= a style of writing (i.e., Mystery, Western, Adventure); 
SETTING= Past, present, future; mountains, desert; empty house; 
POINT OF VIEW= How the reader or listener gets their view of the story;
PLOT = action of a story; 
MYSTERY = story where action is hidden and must be revealed or discovered. 

Tuesday, September 10, 2013

FOR THE RESOURCE SHELF: The Story Biz Handbook


Author and storyteller, Dianne de Las Casas has produced a truly remarkable resource book on managing your storytelling career from desk to stage. 


The work has 30 chapters full of useful tips and insights, plus additional appendices to answer just about any question a storyteller could have for moving from amateur to a career as a storyteller.

Chapter titles tease with just a  portion of the scope of each segment (here is just a sample):

  • In the Beginning
  • Working with Stories
  • Storytelling Issues
  • Preparing for Performance
  • Performing Stories
  • Mastering a Sound System
  • Establishing Your Storytelling Business
  • Setting Up Your Office
  • Managing Your Bookings
  • Defining Your Market
  • Creating an Image
  • Printed Promo with Pizzazz
  • Extending Your Visibility
  • Developing an Internet Presence
  • Networking to Success


Check your public library to see if they have it in their collection or order your own from the publisher ABC-CLIO or from Amazon.

OKC TELLERS NEWS (September)

OKC TELLERS E-NEWS

Greeting Friends and Supporters of Storytelling :
The OKC Tellers launched last evening as a group of great people gathered to learn, listen, and improve their storytelling skills. It looks like we have some wonderful budding story artisans and appreciative listeners and that is fantastic.     

As promised, here is some information for your calendar, some links, and contact information.  Plan on joining us next Monday for another great event!   As requested, I can also put together book lists, note sheets, and handouts to send out.  

Schedule for this fall (2013) -
  • August 22-23 - OKC Storytelling Festival, OK History Center 
  • Meet Up - Mon. Sept. 9,  7 p.m. -Wesley UMC, NW 25th & Douglas Ave. Theme: "Word Doodles"/Intro.
  • Meet Up- Mon. Oct. 7,  7 p.m.-Wesley UMC, NW 25th & Douglas Ave. Theme: Fall and Haunted Tales. (Also - check out the calendar for the spooky stories at the Choctaw library at the MLS website www.metrolibraries.org)
  • Meet Up -Mon.. Nov. 4,  7 p.m.-Wesley UMC, NW 25th & Douglas Ave.  Theme: Family Stories ; Information on voice projection.
  • Sat., Nov. 23 -  Tellabration at Wesley UMC, NW 25 & Douglas Ave., OKC  5-6 history tour (hopefully with costumed guides) ; 6-8:30 is the storytelling concert. Cost is $10 per person and will benefit the the historic preservation of the church.
  • Meet Up - Mon. Dec. 2,  7 p.m.- Wesley UMC, NW 25th & Douglas Ave. Theme: Fire & Light: Winter Holidays.

Looking into 2014:
Lots of opportunities to volunteer, tell stories, and just have some fun!
  • Around March, and World Storytelling Day, a possible "Neighborhood Story Fest"  is planned on the grounds of WUMC with a story stage and various family oriented activities. This will give everyone who wants to try their hand at telling family friendly and appropriate stories a chance to tell!
  • Choctaw Library will probably host another "Whopper's Contest" - more as details emerge.
  • In June (1st weekend), The Territory Tellers will hold their "Spirit of Oklahoma Storytelling Festival" in Bethany on the campus of SNU.  It would be great to have a good participation in this as the new OKC group!!
  • Later in the summer will be the OKC Storytelling Festival sponsored by the OKC Arts Council. National and international tellers are brought in for concerts and workshops.
  • Need a T-shirt, golfshirt, to proclaim you are a member of the OKC Tellers? : http://www.cafepress.com/okcstorytellers
  • You should also check out membership in the state organization at www.territorytellers.org
Explore Storytelling Online:
Sean Bulava, a nationally known storyteller, has put together this video on "How To Tell a Story" : http://www.youtube.com/watch?v=mOA8mUflH-Q

The End
See you next month and remember everyone has a story to tell!



okctellers@yahoo.com  (Email)
Oklahoma Association of Storytellers - OKC Tellers (Facebook)

Monday, September 9, 2013

STORYTELLING MONDAY! Local OKC Group to Meet 9/9/13

Join some other storytelling fans and artisans on Monday night, Sept. 9th at 7 p.m. for stories, learning, and fun.

The meeting will be held at Wesley UMC, NW 25 and Classen, and there is plenty of free parking at the rear of the church and an entrance there. The meeting will be in the community room called The Parlor.

Experienced tellers, newbies, and listeners are welcome to attend and support storytelling in Oklahoma. We will provide a link to other events in the wider storytelling community, mentoring, and training.  Will provide opportunities for storytellers to share in several types of events as well.

All types of stories, styles, and forms of storyelling will be covered, allowing members to develop and grow as artisans of the oral story.

Questions? Contact facilitator Marilyn A. Hudson

Sunday, September 8, 2013

The Basics of Storytelling: Types of Telling

TYPES OF STORYTELLIING

Traditional, Oral. This form is defined as the small group gathered in an intimate environment where a story of moral, imaginative, or educational value is shared by a person. This is the primarily and historically the place where folklore, heroes, myths, and legends are passed along to new listeners and preserved for the generations. Although, it can occur in larger venues - many feel that the larger the audience the less impact the stories have. Some traditions required the storyteller to not move or make only limited gestures as they shared a tale.

Nontraditional, Oral. This form is best defined by the Garrison Keillor approach but also includes storytellers who incorporate objects, costumes, movement and more theatrical elements into their stories. This form may incorporate more animated telling styles with gestures, movement, and audience participation.

Digital. Stories created, passed on, and preserved in digital formats as video, animation, or audio forms, most often online.

Visual. This form includes the use of film, cinematography, photographs to "tell a story". The narrative structure of story is translated into a almost entirely visual format in this medium. As with many art forms this one requires the audience to bring with it their own experiences and emotions as a vehicle for the telling of the story.

Book sharing. This is one of the most common uses of storytelling with children. Librarians and parents and teachers all read a book to children to share the experience through followup instruction, interaction, participation, role playing, puppets, and art. Although a viable vehicle for adults and teens, it does require some preparation for reading pace, intonation, volume, and presentational skills and is sometimes most useful as a "teaser" rather than a real reading of an entire teen or adult book. Many librarians and teachers have found, however, that some picture books are really written on a higher level. This makes the useful for older people because they are visually interesting and contain more mature themes, vocabulary or ideas.

Writing. The marriage of the written word and the oral tradition has tremendously benefited modern storytelling. Although two different mediums with differing requirements they can be used collaboratively since all storytellers need writers to provide material and inspiration and all writers need audiences and contact with natural forms of verbal and non-verbal communications.

Performance based. A merger between the modes and values of theater with the stage production of storytelling. Professional storytellers often benefit from classes on how to move, to speech, and express emotion in a natural, artistic, or entertaining manner.

Group or team. A sub group that is very ancient and often found in team or duo exchange storytelling. George Burns & Gracie Allen perfected a comedic form of this style and provide a model for the timing and artistry required to team tell effectively.

Musically embedded storytelling. Using music or instruments in the telling of a tale or as filler between tales.


Settings for Storytelling: include educational, business, religious, counseling centers, health care, and care facilities.

Wednesday, September 4, 2013

Storytelling In and Around

The Moth Mainstage
October 3 at Rose State College 
7:30 p.m.
The Moth – hailed as “New York’s hottest and hippest literary ticket” by The Wall Street Journal – is an acclaimed not-for-profit organization dedicated to the art and craft of storytelling. Beyond a night of engaging, real-life theatre, The Moth Mainstage offers an environment for communities to come together celebration of common experience with a few “best-of” tellers from The Moth Radio Hour and The Moth Podcast. These storytellers will be telling brand-new regionally specific stories to be recorded and played on The Moth Radio Hour. Don’t miss this incredible opportunity to be a part of the making of this award-winning series. For more information about The Moth, visit their website. 
To purchase tickets call 405-297-2264 or purchase online atwww.myticketoffice.com. Please note that service fees apply.

Sunday, September 1, 2013

The Basics of Storytelling: First Things First

FIRST THINGS FIRST
One of the first things learned in school was that a story has three parts: a beginning, middle, and an end.  The secret to the success of the final product depends on how those elements are used.  Think of a car since it also has minimally three components: body, tires, and engine. The end result will be much better if the parts are put together in a logical whole where each part performs the function it is best suited to perform. 

Visualize the parts of the story as a mountain you are attempting to climb. Analyze a story of your choice into scenes or movements representing the BEGINNING, MIDDLE, and END elements.    Notice that the beginning will include some introduction that sets the stage, introduces characters, explains the problem and PULLS THE READER/LISTENER IN.   The middle section will connect the events, contain the action, propels the story forward to the CLIMAX. Here the problem is faced and solved.  The end of the story comes quickly after the high point of the story seen in the climax and presents the RESOLUTION to almost all the problems, and challenges that propelled the action in the story.  Like guests at the end of a party, be brief and quickly conclude the story.


TYPES OF TALES
Stories come in various forms.  Some tellers find that they have a natural strength in one or more of these, some can work with ease through them all, be aware each is individual – find the voice that is true and comfortable for you.

 
Folk tales
Family / personal
Fairy Tales
Inspirational / Religious
Science and  Pour quoi Tales
Humorous Tales
Lesson / moral tales
Jump tales & trickster tales
 
SHARING STORIES – Bits & Pieces
Some of the most common means of sharing stories:
Read aloud from a written work. 
Oral Storytelling. 
Puppets. 
Musical story/songs.  
Acting out/ theatrical. 
Tandem told stories. 
Dance.    
Magic. 
Writing   
Visual expression 

HEAD WORK

Make a list of several stories or films that you really enjoy.  What do you like about each one? What do these have in common? What does this say about you and your culture? What are the negative aspects of these same works?   What do the negative elements say about you, and your upbringing?  Would your parents or grandparents have appreciated these same stories or books?  Why or why not?

--Marilyn A. Hudson (c2011)

Thursday, August 29, 2013

OKC Storytelling Group to Meet Sept. 9th

West entrance, off of NW 25th
NW 25 and Classen, OKC
Join some other storytelling fans and artisans on Monday night, Sept. 9th at 7 p.m. for stories, learning, and fun.

The meeting will be held at Wesley UMC, NW 25 and Classen, and there is plenty of free parking at the rear of the church and an entrance there. The meeting will be in the community room called The Parlor.

Experienced tellers, newbies, and listeners are welcome to attend and support storytelling in Oklahoma. We will provide a link to other events in the wider storytelling community, mentoring, and training.  Will provide opportunities for storytellers to share in several types of events as well.

All types of stories, styles, and forms of storyelling will be covered, allowing members to develop and grow as artisans of the oral story.

Questions? Contact facilitator Marilyn A. Hudson





Friday, August 2, 2013

August is OKC Storytelling Festival!


Members of the state organization, Territory Tekkers, the OKC Tellers and many friends of storytelling in Oklahoma will be on hand to enjoy this great event.  It will feature, as always, many national and international artists of the spoken word.


www.artscouncilokc.org

August 22-25, 2013 at the History Center. Read this article for more info.

Wednesday, July 17, 2013

OKC Storytelling Group to Form

Join us this fall on the first Monday at 7 p.m. as we meet at the Wesley UMC, NW 25th & Douglas Ave. (Nw 25th and Classen Blvd). We are happy to have found a centrally located meeting spot. Interested in adding the art of storytelling to your life? This is the place! All forms will be explored, practiced, and perfected in a fun setting.   

Dates:
Mon. Sept. 9, 7 p.m. Meeting (a week later due to Labor day)
Mon. Oct. 7, 7 p.m.  Meeting
Mon. Nov. 4, 7 p.m. Meeting
Sat. Nov. 23,  6 p.m. -- Remember "Tellabration!" at this location as well!
Mon. Dec. 2, 7 p.m.  Meeting

(Note some dates are not the first Monday due to holidays).   

Meet Ups will include Story Swaps (sharing and practicing of stories), "Word Doodles",  Mini-Skill Builders, and more!  Ages: Adult and teens.    

Check out the webpage for updates, info, and other great stuff!!

Map.

Websites of sponsoring and supporting groups:


We are listed on "American Towns" for those who subscribe to that targeted event notice system.

Monday, June 24, 2013

List of Tellers for OKC Tellabration- Updated!!

Lending their talents to this celebration of the oral tradition of storytelling will be Molly Lemmons, Mustang, Ok; Kathryn Thurman, Del City, Ok; Salley Riffey, OKC, OK.   MC for the event will be Marilyn A. Hudson, Norman, Ok.  The event, part of an international event, is sponsored by the National Storytelling Network, the Oklahoma Territory Tellers, and the Oklahoma Association of Storyellers/ OKC Tellers guild.  The evening is scheduled for Sat. Nov. 23rd, 2013 at Wesley UMC, NW 25th and Douglas Ave (just north of NW 23rd and Classen).  A special guided tour of the historic sanctuary stained glass and architecture will be conducted from 5 p.m. to 6 p.m. and the storytelling performances will begin at 6 p.m.  Tickets for the benefit will be $10 per person with funds going to the preservation of the historic building dating to 1928.

All of the artists sharing their talents are experienced professional tellers who can delight any audience with stories diverse, humorous, thoughtful and challenging. 

Molly Lemmons, "With Tales to Tell"




Molly Lemmons is an award-winning author, and the stories she tells are taken from her very own book, "Kind of Heart," released for publication in 2000. Her stories, told unashamedly from her heart, are stories of life, loves, childhood, relationships, family and friends as she lived it during her growing up years in the 1950's when things were as they ought to be. 


Her stories will tug at your heartstrings and encourage you to celebrate God, families, and life. She believes that "No One Lives To Be Forgotten!" And keeping their stories alive, no one WILL be forgotten.   She is also the author of "The Passing of Paradise," an inspirational romance novel that was released in 2005. 
Her latest publications are: As Bright and as Pure as the Driven Snow, a study and worksheet manual written for young girls on the topic of God's plan for sexual purity before marriage, Seize the Flashbacks! a how-to manual on heart writing, Hold My Hand, My Precious Child, a book honoring mothers, and We are Invisible, a help-manual for caregivers everywhere. She has been published in the Chicken Soup Series, the Heavenly Patchwork Series, and many periodicals as well as newspapers in Texas, Arkansas, and Oklahoma. All six of her books may be ordered from Amazon.com or directly from her via email. 

Available for both storytelling and workshops, she has taught classes on How to Write and Tell Life's Memories (from the heart), adapting her classes to all ages. Her book, Seize the Flashbacks! is a companion book to her book, Kind of Heart and is the class manual used for her writing/telling classes.  

For Oklahoma's Centennial, she has developed and performed the character of Mattie Beal, Lawton's lady who won the second drawing in the 1901 Land Lottery.  She has also developed, and performed other stories that she has taken from Oklahoma's history, having grown up and lived in Oklahoma for seventy years.  She is a member of Oklahoma City Writers, Inc.,Oklahoma Writers Federation, Inc.,Tejas Storytelling Festival, Women's Inspirational Network, Christian Storytelling Network, Oklahoma Association of Storytellers, Oklahoma Performers and Presenters, and is a member of Oklahoma Territory Tellers. 

She was selected as first runner up for "Ms.Senior Oklahoma 2011," and is a member of the "Age of Elegance Club," a group of former Ms. Sr. Oklahoma contestants who have, at over age sixty, reached "the age of elegance." 



Kathryn Thurman, "Contemporary Native American Flutist"


 Kathryn Thurman is a professional Musician and Storyteller who uses her unique musical background to create entertaining stories that can be enhanced with different types of music. Audiences may see such instruments as the psaltery, slide whistle, finger cymbals, spoons, kazoos, and percussion frogs. She has spent the last twenty years performing in schools, libraries, museums, Girl Scout camps, civic groups and community events. Each program is crafted with an element of fellowship, friendship, and fun, perfect for any type of audience.

A published Author and Book Reviewer, she travels to diverse locations to perform for audiences of all ages, such as preschool children who love animal stories, Book Clubs looking for a book review, Seniors who enjoy family stories, school students learning about the Land Run, and Scouts who love Ghost Stories at the Campfire.

With a background involving over fifty theatrical and musical productions, Kathryn brings the spontaneity of the theater into her performances. When possible, she adds audience participation and interaction by teaching a song or dance movement, clapping a lively rhythm or rap rhyme.

Kathryn's background includes a (Muskogee) Creek Great-Grandmother who shared her heritage through stories, and began Kathryn's journey that has led her to becomming an accomplished Native American flute musician and teacher.

Her Musical Story Programs include:  Fairy Tales & Folktales from around the World / Campfire and Ghost Stories / Land Run and Cowboy Stories / Oklahoma Tall Tales / Native American Trickster Tales and Animal Stories



Her stories will tickle your funny bone and pluck at your heart strings!

Sally is a native of Oklahoma City and feels that her roots go deep into Oklahomas red clay.  Her stories have been called Stories from the Heart.

As a Storyteller, Sally enjoys telling folktales, original stories and stories of the season with a deep passion for Biblical stories.   She has been a participant in the annual Easter drama The Great Plains Passion Play.

Sally does Biblical portrayals of Mary Magdalene and Mary the Mother of Jesus in Biblical costume as a solo drama presentation. A highlight of Sally's storytelling career was the recent opportunity to tell Biblical stories at several sites in Jerusalem and at the Sea of Galilee.

Sally has taken her stories behind prison walls to our state and federal prisons. She has been a featured teller at Tellabration and Oklahoma Olio. She has also told stories at WinterTales, the Oklahoma City Arts Festival, for the opening of the Oklahoma Trails at the Oklahoma City Zoo. She frequently tells stories for civic organizations, women's ministry groups, churches, schools, professional business groups, as well as Easter and Christmas presentations and programs.

Sally is a member of Territory Tellers which is Oklahoma's premier storytelling organization.  She is also a past board member of Deaconess Hospital Health Venture Corporation.


Marilyn A. Hudson, MC and Guide on the Story Road

Marilyn A. Hudson is an author, historian, and storyteller who has been traveling the twists and turns of the "Story Road" for nearly 20 years. Her audience experience ranges from young children to senior adults and she has traveled each summer since 1999 sharing tales for public libraries during their summer reading emphasis. She presents original stories, as well as historical and folklore tales, with her own little twists.

She is also "The Ghost Teller" specializing in haunted tales of literature, history, and folklore. She frequently conducts benefit concerts at the historic Overholser Mansion in OKC, "Scary Tales and Twilight Tours." Marilyn is a member of the Territory Tellers, the Association of History Performers, and a facilitator of the Oklahoma City storytelling guild, Oklahoma Association of Storytellers.

She frequently conducts events blending both her storytelling and her writing for adult and teen audiences. Her published works include "The Bones of Summer", "Tales of Hell's Half Acre", "When Death Rode the Rails", "Murderous Marriages" and the novel, "The Mound".

For additional information on tickets, events, or interviews please email event facilitator, Marilyn A. Hudson.